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Lorrie Whittington

Illustrator - Designer - Maker

A Changing Landscape..

23/11/2011

Blanket Magazine

Recently on Facebook, I was looking at a piece of work by one of my old tutors. I mentioned that he really should start a blog to profile his work, and he asked me how he would do that given that he was such a ‘Dinosaur’. Andy Hawkins was my illustration tutor on my Foundation course at Amersham College of Art in the 80s’. I was in my teens, and Andy could have been no more than in his late twenties at the most, even possibly 30, and I think recently graduated from the RCA.  I should mention by the way, that Andy is an amazing illustrator and currently lives and works in Saltburn-by-the-Sea in Yorkshire (and not a Dinosaur). Anyway, it got me to thinking how dramatically the landscape has changed for artists since we both graduated.

When I first left University, making a career for oneself as an artist was hard, VERY, VERY hard, and generally friends and family would discourage those seeking a future career in the art world for that reason. Opportunities for work were meager to say the least. Unless you went into Graphic or Fashion design (or similar), getting regular paid work was an incredible struggle. As an illustrator you were hopeful for book and album art commissions, possibly advertising. As a fine artist there were the galleries, though few people other than those who were wealthy bought original art. Getting your paintings into a gallery was hard. Then as now gallery commission rates were very high and competition for wall space was fierce. Plus which, unlike now, galleries were not interested in the work of young and emerging artists and only interested in the work of established and experienced artists with a proven track record of sales.  You could of course host your own show, as some artists did (myself included), but venues to do so were hard to come by and it was an expensive undertaking with little likelihood of financial return. And of course, that left teaching. Most of us who graduated, unless we managed to get a position in the field of our study worked freelance, balanced with a full time job, or taught.

So, what has changed. Well, changing attitudes to some degree and the advent of the web mostly. More people on middle and lower incomes now buy original art, as it is not seen as being solely within the reach of the affluent only, and peoples tastes have become more sophisticated and eclectic, added to which is the availability of original art. It is of course now possible to buy original art without ever visiting a gallery, (which for some is a daunting experience) via the web. With the advent of the web, artists’ now have the opportunity to gain attention and raise their profiles in a way that was not available more than ten years ago. Having a website, a blog, membership of an online art community (deviantART, Saatchionline, Behance for instance) and the opportunity to sell original work and prints online via RedBubble, Etsy, Folksy, Imagekind, Big Cartel etc, has meant that artists can now gain a presence and following that would have been a dream to my ilk twenty years ago. ‘Pop-Up‘ shops and ‘Open Studios’ have meant that more artists have an opportunity for their work to be physically seen and purchased.  Additionally, the current trend for traditional art to be featured in advertising and magazines etc, is providing illustrators with even more opportunities for work and recognition.

Buy Handmade
And then there is the ‘Handmade Movement‘. Despite the proliferation of cheap mass produced goods and items, the handmade movement has undergone a monumental renaissance in spite of this, with more and more online venues selling ‘handmade’ only, and physical shops opening up selling the same. The desire for ownership of quality handmade and artisan crafts is increasing all the time, which has consequently also seen the creation of more independent art, design and craft magazines, both online and physical; UK Handmade, Design Sponge, Indie Quarter, Ammo Magazine, Selvedge, Paper Runway, Oh Comely Magazine, Creative Boom and Blanket Magazine to name only a very few.

I know there is an argument that given the abundant opportunities for artists now, there is more competition than ever and yes, it’s still hard to make a living as an artist, particularly in the worst recession since the 20s’.  But I still think in many ways how wonderfully exciting it must be to be starting over now, despite all this.  I would LOVE to be a young artist fresh out of college, and am so jealous of the exciting opportunities there are for artists now. All I can say is, what a great time to be holding a pencil!

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  1. Karen Jinks says

    23/11/2011 at 12:01 pm

    I couldn’t agree more, I graduated in the early nineties, just before things started to change – students today don’t know how good they’ve got it in some respects (although I don’t envy them the debts they accrue now). Art today is much more accessible and it’s easier for each of us to become our own little micro business, and rather than compete with each other we support and encourage each other in a way that isn’t seen in other industries. There is a cultural change happening and it is incredibly humbling and exciting to be a part of that change. Good post Lorrie!

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  2. Rona says

    23/11/2011 at 1:08 pm

    Great post Lorrie. I saw a friend’s post on Facebook this morning giving a shout out for some Hand knitted tea cosies which ten years ago we probably wouldn’t have looked at twice but it made me think how tastes change and now there is a big movement to buy things hand crafted, and particularly things that echo days gone by. As you know I never graduated from anywhere being mainly self taught and years ago a self taught artist wouldn’t have been given the time of day and I certainly wouldn’t have had the confidence to show my work. However with the internet, which offers a certain amount of anonymity, we have the opportunity to ‘put it out there’ without so much fear of rejection. After putting just a few things online, both art work and crafting, I have got orders for more, which to me is truly amazing!

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  3. Collette Roy says

    24/11/2011 at 9:31 am

    Excellent article. As a designer who graduated even earlier than you, I agree that in many ways up and coming artists and designers never had it so good. That’s not to say that the going isn’t still tough, it is. But, I wish I had had all these resources when I first started out to give me that extra edge.

    CR.

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Lorrie Whittington” title=
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Lorrie Whittington is an illustrator, designer-maker, free spirit, chocolate eating geek, living in the heart of the Sussex countryside on the south coast of Britain. She draws, paints, reads a lot, makes things with clay, likes scf-fi and hangs out with her daughter.

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